How She Lost Her First 6 Albums

We all have heard the name of the American singer-songwriter, Taylor Swift. Back in 2019, while leaving her former record label, Big Machine Records, and signing with Universal Records, she lost the rights to her first six recorded albums after Scooter Braun bought her former label for $300 million along with Swift's masters (full rights) against her will.

She was disheartened and desolate, which made her re-record those albums under the project "Taylor's Version" to reclaim them.

Why Artists Don’t Usually Own Their Masters

In the traditional music industry, record labels pay for the recording, marketing, and distribution of the artist's music. In return, they typically owned the master recordings, i.e., the original copies from which all music copies are made. This means that the label, not the artist, controlled the commercial usage of the music.

For years, artists signed contracts that, in their desperation for a break, often included handing over these rights to the label, without knowing or understanding the long-term consequences. Once signed, they rarely had a say in how or when their music was used or even a say in the freedom to perform it in some circumstances.

Scooter Braun and Scott Borchetta, Big Machine Records owner after their record deal.

How She Got The Albums Back

However, on May 30, 2025, Taylor Swift revealed she had successfully procured the masters of her first six albums for roughly $360 million. ^[1]

This makes her one of the very few artists to own their albums or records for themselves. As a creative person, I strongly believe that this is a significant positive shift in the industry.

In this article, we will discuss how this decision of Swift changed the conversations about artists' rights to own their masters in the current scenario.

The purchasing process was facilitated by Shamrock Capital, after a 6-year fight for control over her music. Her eventual repurchase marks a significant personal win for Swift and has prompted a larger conversation about artists' rights and ownership of their music.

Following the original sale of her masters, Swift pursued re-recording her earlier albums and releasing them in "Taylor's Versions". This was both an opportunity for creative work and a tactical method of regaining ownership of her music.

The Legacy Of Taylor's Versions Project

Her power move has even made record labels rethink contract language, with some purportedly expanding the time window for artists re-recording from some years to some decades, according to Harvard Law School!

Taylor Swift commemorates the purchase of her first six albums via X (formerly Twitter)

Taylor Swift's case encourages other artists to pursue control over their work. For example, Olivia Rodrigo made ownership of her masters a condition of her contract with Geffen Records, specifically "inspired by Swift's fight to own her music", as noted by interviewer Laura Snapes. ^[2]

It is not just Rodrigo or Taylor's staples; Zara Larsson has written in a caption that she would be able to reacquire her music; Dua Lipa is also trying to reacquire her publishing.

Taylor's open, public stance has also helped raise attention to private equity firms' acquisition of music catalogues, often with no input from the created artists. ^[3]

Some of her commentary on the record labels selling these rights has spawned conversations about the ethics of these purchases and changes that could be made to make the industry fairer or easier to navigate.

A Hero's Journey

In her announcement, Taylor Swift explained how immensely happy she was with the point in her life where she is now able to own and control all of the work she has put her life into, saying, "All of the music I've ever made… now belongs… to me." ^[4]

It's more than personal; it's revolutionary in an industry that saw most artists, even some superstars, as commodities and not real human beings.

With the will to rectify a wrong done to her and reclaim her masters and re-record her catalogue, Swift opened the door for future younger artists to negotiate better deals and for fans to think more about what it means in the present time regarding "owning" your art.

What are the other ways you think she has helped push the boundaries of the current music industry? Comment down below, and follow for more!

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