#IndiePop

Gracie Abrams' Daughter From Hell promises transformation; the album's intimate vocal work hints at darker themes, but the music rarely matches the weight, making it a thoughtful, restrained listen. Gracie Abrams has spent the better part of this decade perfecting intimacy. Her songs have always ... Read full article.

Ryan Beatty's Sweet Fortune shifts from heartbreak to a calmer cadence, delivering intimate, patient songs that find meaning in daily affection and steady connection rather than dramatic highs. A warm, reflective listen. For much of the last decade, Ryan Beatty has occupied a curious space in ... Read full article.

Olivia Rodrigo's new album reshapes romance into a maze of contradictions, trading punchy pop-punk for theatrical, unsettling storytelling. A bold, cohesive leap in her emotional range. Olivia Rodrigo has always understood that pop music works best when it refuses emotional neatness.SOURcaptured ... Read full article.

Grace Ives has always made music that feels slightly off-centre in the best possible way. Even when her songs are playful or bright, there is usually something restless sitting underneath them.Girlfriendkeeps that nervous energy intact, but this time it feels more exposed, more emotionally ... Read full article.

Raye's This Music May Contain Hope defies brevity with a sprawling four-season arc, inviting listeners to sit with long, evolving tracks that map heartbreak to winter and hope to summer. There is something almost defiant about an album that stretches past seventy minutes in an era engineered for ... Read full article.