#PopMusic
Midnight Sun: Zara Larsson's Search for Endless Summer
Kim Petras’ Detour: Raw, Chaotic Pop Energy
Are We Too Lazy for Real Music? Why Pop Just Got More Difficult
Sabrina Carpenter Just Said What Everyone Was Thinking About Pop Music and Queer Culture
Viral Hits vs. Real Art: The High Stakes of the Pop Girl Identity Crisis
Robyn's Sexistential: Desire, Daring, Dancefloor
Nothing’s About to Happen to Me: A House of Unfinished Stories
The Top Ten Albums of 2025 That Are a Must-Listen
FKA twigs’ EUSEXUA Afterglow: Moodier and Stranger Companion
The Art of Loving By Olivia Dean: A Love Letter In Pop Soul
Happiness Is Going to Get You By Allie X: Self and The World
LUX by Rosalia: Her Most Ambitious Album Yet
Everybody Scream by Florence + The Machine: Jubilant, Haunting, Cathartic
Lily Allen’s West End Girl Is a Harrowing Divorce Album
The BPM by Sudan Archives: Half Flesh, Half Machine
The Life of a Showgirl by Taylor Swift: Stardom, Sentiment, and Spectacle
Between Reverence and Revolt: on Pitchfork’s Polarising Legacy
From Hall to Feed: How Live Music Went Digital and Changed the Vibe
Death of the Album Rollout: When Eras Became Moments
“A Matter of Time” by Laufey: Bold, Cinematic, Romantic
"The Subway" by Chappell Roan’s Ode to Hope, Heartbreak, Healing
Legacy of Madonna: The Blueprint for Modern Female Pop Stars
"Who’s The Clown?" by Audrey Hobert: Debut as Self-Performance
Is Recession Pop Making a Comeback? How 2025's Soundtracks Reflect Our Lives
KATSEYE: Glocal Girl Group as Gnarly and Commodity
Tomorrowland’s Fire and the Fragile Spectacle of Festivals