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#InternetCulture

I don't know who I am offline anymore: Life as an internet novel protagonist
Why Parasocial Relationships Feel Like Home
Meet the Thought Daughter: The Internet's newest literary archetype
Forget AI and Influencers. We Need More Cocaine Salmon in Our Feeds. Why unhinged stories about drug-addicted wildlife are the only thing saving our collective sanity from the doom-scrolling abyss of the modern internet. If you have spent more than five min…
Stop Labelling Everything: How ‘Coded’ Culture Is Killing Your Style From office-siren to main-character, our obsession with adding -coded to every trend is flattening our personalities. Here is why we need to stop the categorizing and start being original a…
Why Legacy Media Keeps Failing the Vibe Check With Internet Trends Did 60 Minutes go too far with its looksmaxxing interview? Let's dive into the clash between internet subcultures and traditional journalism. The recent explosion of internet subcultures h…
The Tradwife Aesthetic is a Digital Illusion We Need to Stop Buying Why are we obsessed with a version of the 1950s that only exists on Instagram? Let's dive into the reality behind the sourdough and floral dresses. If you have spent any time on social med…
Is Brain Rot Winning? Why Our Culture is Speedrunning Into Total Unseriousness From the White House to your daily speech, internet memes are taking over. Is this the end of serious culture or just a new way to communicate? There was a time when the internet was a pla…
Celebrity gossip as cultural currency: how viral DMs and rumors shape fandom and online culture. From Shaq’s fake DMs to Sabrina Carpenter memes, celebrity gossip is our new social currency. Here is why we love the drama and how it is changing internet culture. In the digital age, gos…
FarmTok is the Digital Pastoral We Didn’t Know We Needed (and Maybe Don’t Deserve)
The 'Is It Just Me' Trap: How Common Sense Became the Ultimate Rage Bait
The Trad-Wife to Rage-Mother Pipeline
Rage Bait as Digital Masochism
Brat by Charli XCX: Camp, Capital, and Confession as Aesthetics